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We tested all five Mamiya lenses made for the Mamiya 7II in conjunction with our "Hands On" test of the camera. The lenses are a 43mm f/4.5, 50mm f/4.5, 65mm f/4, 80mm f/4, and a 150mm f/4.5 Finished in attractive semi-matte black, the lenses are compact compared to other lenses for the 6x7 format. Each lens has knurled rings for focusing and aperture selection. The former are covered in a rubber-like material, the latter are hard plastic. That tactile difference tells you which ring is which, without having to look. The focusing action is smooth and well-damped. All close-focus by turning the focusing ring counter-clockwise, and have non-rotating front lens barrels. Aperture rings at the outer edge of the lens barrel are marked in white and click-stopped in full-stops. The lenses have large, easily seen distance scales with metric distances in white and footages in yellow. Below the distance scales are legible white-on-black depth-of-field scales, infra-red index marks in red. The bayoneting lens-mounts have white mounting alignment dots. All mount with an easy twist and balance nicely on the camera. Front rings are threaded for screw-in filters, and each lens has a bayoneting sun shade that reverses for storage and transport. |
In the lab / field: We are not able to test medium-format lenses on our optical bench, but according to the results of our lines-per-mm tests, all five lenses showed excellent performance in the centre (on-axis) and on corners (off-axis). Test slides were uniformly very sharp and contrasty from centre to corner at every aperture, except as noted. All lenses produced extremely accurate exposures, with less than 1/10 f-stop under-exposure, except at maximum aperture where performance varied slightly as indicated. Flare was very well controlled with minimal ghosting for all lenses. Conclusion: The Mamiya 7 lenses performed very well. They had the most consistently excellent performance of any 6x7 lenses we've tested. Some photograpers might want the option of a lens faster than f/4, but that's probably not in the cards optically, given the circumference of the Mamiya 7 lens-mount and leaf shutter timing considerations. Overall handling was great and we especially liked the rubbery aperture rings and agreeably compact size of these lenses. The 150mm, for example, is about the size of aa 150mm in the 35mm format (3.5 inches long, 1 lb 2 oz.), yet it covers the 6x7 format. |
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aperture f/
|
lines/mm, center |
rating |
lines/mm, corner |
rating |
| 4.5 | 68 | Excellent | 30 | Excellent |
| 5.6 | 77 | Excellent | 30 | Excellent |
| 8.0 | 77 | Excellent | 34 | Excellent |
| 11.0 | 61 | Excellent | 43 | Excellent |
| 16.0 | 54 | Excellent | 33 | Excellent |
| 22.0 | 48 | Excellent | 24 | Very Good |
|
aperture f/
|
lines/mm, center |
rating |
lines/mm, corner |
rating |
| 4.5 | 58 | Excellent | 37 | Excellent |
| 5.6 | 66 | Excellent | 41 | Excellent |
| 8.0 | 74 | Excellent | 46 | Excellent |
| 11.0 | 66 | Excellent | 41 | Excellent |
| 16.0 | 58 | Excellent | 37 | Excellent |
| 22.0 | 46 | Excellent | 24 | Very Good |
|
aperture f/
|
lines/mm, center |
rating |
lines/mm, corner |
rating |
| 4.0 | 46 | Excellent | 37 | Excellent |
| 5.6 | 52 | Excellent | 42 | Excellent |
| 8.0 | 59 | Excellent | 42 | Excellent |
| 11.0 | 66 | Excellent | 42 | Excellent |
| 16.0 | 59 | Excellent | 37 | Excellent |
| 22.0 | 46 | Excellent | 26 | Very Good |
|
aperture f/
|
lines/mm, center |
rating |
lines/mm, corner |
rating |
| 4.0 | 48 | Excellent | 32 | Excellent |
| 5.6 | 55 | Excellent | 42 | Excellent |
| 8.0 | 58 | Excellent | 42 | Excellent |
| 11.0 | 58 | Excellent | 42 | Excellent |
| 16.0 | 65 | Excellent | 37 | Excellent |
| 22.0 | 55 | Excellent | 26 | Very Good |
|
aperture f/
|
lines/mm, center |
rating |
lines/mm, corner |
rating |
| 4.5 | 42 | Excellent | 33 | Excellent |
| 5.6 | 55 | Excellent | 33 | Excellent |
| 8.0 | 60 | Excellent | 42 | Excellent |
| 11.0 | 60 | Excellent | 47 | Excellent |
| 16.0 | 55 | Excellent | 47 | Excellent |
| 22.0 | 47 | Excellent | 37 | Excellent |
| 32.0 | 35 | V. Good | 27 | V. Good |